Wikipedia tells me that a narrator is responsible for
storytelling. Wikipedia also informs me
that as a narrator I can tell the story from my point of view or as if I am a
character in the story. I remember
learning about omnipresent narrators in English class in high school and know
that plays can have narrators.
But what about when it comes to the online narration of a
historical event, in tweets over a one and a half week period? What are the rules? How do I narrate, create, respond, and live
my own, separate life, at the same time?
My narration experience with this Twitter project is very
different from the only other Twitter project like this that I’ve done. In February 2012 I tweeted, in ‘real-time,’
the fire at the Parliament buildings in Ottawa.
I literally sat at my computer all evening and tweeted at the right time
about what was happening in 1916. Even
as I prepare this blog post, well in advance of the day it will be posted
online, most of the narration for this coming project is done.
With the advent of social media tools like Twitter
complementary tools like Hootsuite and Tweetdeck have been developed to help
users of social media tools manage their accounts including the ability to
schedule tweets, Facebook posts etc well in advance of the post time. For this particular project I have used
Hootsuite as it is the tool with which I am the most familiar. There are pros and cons to using such tools,
for example, through Hootsuite I am only able to post tweets at times ending in
0 or 5. Therefore if something happened
at 3:44am, as it does in the upcoming days, it is going to be posted at
3:45am.
Technically readers will not know the difference and the
likelihood that readers are awake so late, or early, in anticipation of said
post, is so unlikely that by the time they are reading it around 7am or perhaps
even later in the day, the ‘approximately 4 hours ago’ timestamp still won’t
give me away.
This was a hard decision as a narrator. My research had yielded several
un-Hootsuite-able times including those for which I would probably not even be
awake to tweet myself. I originally turned
to Tweetdeck but was overwhelmed by the multitude of tools and decided that it
was worth the white lie to use one tool rather than two. You may be asking, why not choose
Tweetdeck? I had already invested quite
a bit of time in crafting my narration and entered these tweets into the
Hootsuite publisher so it was an easy decision for me.
I could probably reflect on narration all night long, but as
it stands for now, the above reflection is probably the most relevant for this
project. That, and I can only do so much
story telling!
Best,
Rebecca
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